About Climate Storytelling 2075
Letter from the Co-Founders
An expanding vision of desirable and just climate futures, created by emerging young storytellers
The contours of our collective destiny are too often shaped by a limited spectrum of perspectives rooted in Western, settler-colonial worldviews; a widely accepted vision of succumbing to a dystopian narrative preordained by a select few. This project was launched on the conviction that it is time we asked:
How do you envision a desirable climate future in the year 2075?
Centering the experiences, knowledge, and alternative ways of knowing of frontline, BIPOC, queer, and young communities is crucial in shaping our collective understanding of climate futures. By amplifying the voices of frontline communities, we collectively build a more inclusive and equitable vision of the future.
The inaugural, 2024 cohort of Climate Storytelling 2075 excelled in integrating personal narratives with scientific data and historical reflection, creating a deeply interdisciplinary approach to climate storytelling. Their work was marked by an urgency to address grief and environmental destruction while imagining "irresistible futures" that respond to present crises. By weaving together multimedia artistry, activism, and research-driven storytelling, this group developed a rich foundation for climate narratives that are both deeply personal and universally resonant. Their strength lies in their ability to channel the emotional weight of the climate crisis into compelling, action-driven works that balanced realism with hope. Representing many corners of the U.S., the first Climate Storytelling 2075 cohort produced a visionary anthology of the future we are capable of building today.
The second, 2025 cohort builds on this foundation by expanding both the geographic and disciplinary scope of the initiative. With 20 artists, scientists, and storytellers from across the world, this cohort pushes the boundaries of climate storytelling by incorporating a broader array of mediums and perspectives. Their work is uniquely positioned at the intersection of art, science, and cultural heritage, with a strong emphasis on Indigenous and ancestral knowledge as a pathway to contemporary and future sustainability. By blending speculative fiction with historical wisdom, data visualization with Afrofuturism, material design with ecological preservation, and beyond, this cohort exemplifies radical hope and cross-disciplinary collaboration. Their ability to draw from both deeply personal and globally interconnected narratives makes them a force for reimagining the climate future in a way that is inclusive, innovative, and transformative.
Together, these works highlight the importance of centering imagination in the fight for a thriving Earth. These artists demonstrate that creativity and imagination are not just valuable experimentations, but necessary tools in envisioning and crafting a desirable future. By bringing diverse perspectives and intersectional themes to the forefront, these young artists emphasize the interconnectedness of social, environmental, emotional and spiritual well-being.
Their visionary work underscores the urgent need to reimagine our relationship with the Earth and each other, fostering a collective hope and actionable pathways for a better world in 2075 and beyond.
The futures these artists conjure are not just a distant dream but a call to action today. Their work inspires us to think creatively and act boldly, recognizing that the solutions to climate change lie in our ability to envision new possibilities and engage with the world in innovative ways. It is through the lens of speculative future building that we can confront the crises of our time and build a resilient, harmonious future.
With loving belief in that future,
Onward.
Our vision for the future of this work
The first volume of the Climate Storytelling 2075 Anthology series is just the beginning - our inaugural cohort laid an essential foundation for the transdisciplinary and intersectional approach to climate storytelling that we are working to grow into a broader movement in storytelling. Much climate futurism is happening, largely in writing and fiction, and - while essential - we are looking to expand that storytelling to many and all media, such that envisioning and crafting desirable climate futures is as accessible and inviting to all visionaries as possible.
We released our second annual call for climate storytelling proposals in December 2024 as an international call to young storytellers of frontline communities worldwide. In February of 2025, we accepted a cohort of 20 young artists into the Climate Storytelling 2075 community. The cohort will meet from March-August of 2025, attending lectures on climate science and environmental narrative strategies, and growing their proposals into final works through peer-to-peer feedback
Future calls may be an invitation to envision a particular climate timeframe, some may be calls to visionaries of certain geological and climate kinship (place-based cohorts), some may be thematic in nature (food futures, ocean futures, music futures, prairie futures). To receive information on future calls in your inbox, please subscribe at the bottom of this page.
Co-Founders
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Asenette Ruiz
Pronouns: she/her
Asenette is a facilitator and creative engineer from Houston, focused on bridging STEM and justice for herself, others, and collectives. She centers her work on environmental justice and empowering underserved communities. Asenette has co-led community-based environmental health initiatives in Mexico, taught at MIT's MITES programs, and pursued more artistic projects. To center joy and peace in her life, she loves to hammock, be outside with her plantitas, and enjoy a cup of tea.
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Carrick Reddin
Pronouns: he/himbo
Current home-base: Los Angeles / New York
Hometown: Orange County, CAI lead a team at World Resources Institute focused on supporting faith-based organizations’ and religious leaders' action on climate and sustainable development. I am also currently developing a docuseries exploring how faith and spirituality can help promote environmental justice and ecological sustainability. My work on the docuseries has me particularly interested in film as a medium of making social change.
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Robert J. Dellinger
Pronouns: they/them
Robert is a Ph.D. student in Atmospheric and Oceanic Sciences at UCLA, holding an M.S. in Marine Biology, a B.S. in Marine & Coastal Sciences, and a B.A. in International Relations with an emphasis in Latin America/Caribbean Politics. As a Queer & Latinx student, they believe that historically excluded knowledge systems are essential for averting a planetary crisis and filling in knowledge gaps, ultimately offering us alternative imagined futures. Robert is a National Science Foundation Graduate Research Fellow, a UCLA Center for Diverse Leadership Fellow, and a Sustainable Oceans NSF National Research Trainee.
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Laken Sylvander
Pronouns: she/her
Current home-base: A steady rotation between St. Louis, MO, New York, NY & Rochester, MN. Hometown: St. Louis, MO (+ 9 years in Singapore!)
I am an environmental advocate through my work at an organic farm school campus in Ferguson, MO and a cultural archivist on documentary films. I also write & produce electronic/analogue music. I am a soon-to-be PhD candidate in Art History with an emphasis on environmental art and indigenous environmental preservation beginning fall of 2025. I am excited by the potential of ceramics for expanding my practice of exploring the relationship between body and place, which I currently experiment with in textile and fiber works.